Selasa, 23 Desember 2014

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Pictorial cover - No Dust jacket. Comprehensive and detailed guide to the repair, restoration, and manufacture of car wooden body framing. 128 pages 120 photographs and illustrations. Read this book before you start, from a simple repair to the total rebuilding of a rotting body, this book will be your guide.

  • Sales Rank: #2572116 in Books
  • Published on: 1984-11
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 128 pages

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0 of 0 people found the following review helpful.
A Lost Craft?
By thomas theisen
The restoration guide by Alan Alderwick is a comprehensive manual for anyone dealing with coachbuilt automobiles.
From basic wood construction to planning and fabrication, this book is a must read for the restorer and owner of
a wooden framed car. There are extensive photo details to show the topics being covered. Unfortunately no longer
in print, the guide rare and expensive.

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Kamis, 18 Desember 2014

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Green hardcover book with red and dark green graphics and printing on the front cover and spine. Copyright 1896. Poetry.

  • Sales Rank: #4949217 in Books
  • Published on: 1906
  • Binding: Hardcover
  • 185 pages

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Rabu, 17 Desember 2014

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  • Published on: 1600
  • Binding: Paperback

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Selasa, 16 Desember 2014

[N861.Ebook] Download Kentucky Bride (Love Spell historical romance), by Norah Hess

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Fleeing her abusive uncle, young D'lise Alexander trusts no man--until she is rescued by trapper Kane Devlin. There, amid the simple pleasures of cornhusking and barn raisings, she comes to recognize that the deep affection she holds for her savior is true love.

  • Sales Rank: #3355090 in Books
  • Published on: 1998-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.12" h x 4.17" w x 6.69" l, .45 pounds
  • Binding: Mass Market Paperback
  • 448 pages

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0 of 0 people found the following review helpful.
Kentucky Bride
By P. Rogers
thank you for this wonderful gift. This will make a great and wonderful gift family/ friend enjoyed and will enjoy reading

2 of 3 people found the following review helpful.
too similar to her others
By A Customer
You might enjoy this book if you've never read any of Hess's other books, but I have read several, in fact, I had just finished reading one of hers when I picked up this one. This book is exactly like several others of hers. It seems Ms. Hess simply changes the names and the storyline a bit but it is essentially the same book. The characters, the hero and heroine, the villains, they never change, they have no real depth to distinguish them as unique. They are exactly the same in every book. This is okay if you've only read one or two of her books, but it gets annoying after a while. They are all exactly the same in almost all her books. Another thing that bothered me is that one of the villains in this book is a woman named Raven, in another of Hess's books, her heroine is named Raven. It is not the same woman, but this still bothered me. Also, must she always name the horse Beauty? Can she not come up with something slightly more original? Also, in the book, she keeps emphasizing how the main villain, the heroine's uncle is fat. She keeps mentioning it and emphasizing it over and over again and I found it to be a bit excessive. Yeah, I heard you mention it the first time okay? I couldn't really like the hero or the heroine. The hero seemed to be selfish and have a tendency to jump to stupid conclusions as did the heroine. I enjoyed her other books better, I don't know if it is because I read them first or they were actually better, but I thought Raven and Wildfire were much better than this one.

2 of 2 people found the following review helpful.
Who Me?
By Elysse Montego
Kane seemed to be a great guy-until he decided his crotch had more brains than him. Okay get this straight. He married her because he loved her-but didn't know if she loved him. It's not like they had don't anything to produce a baby-before the marriage. So why would this hardcore bachelor marry a woman who might never love him? And does this cause him to jump to stupid conclusions? I think it does. D'lise had a better reason. She had been beaten severly by her uncle and wary of all men-but didn't Kane prove himself time and again to be on her side. And the whole reason that things went to hell pretty fast-Kane made D'lise afraid of him after month's of marriage, went out got drunk, and went to their old house. Raven-ugly Indian woman-sneakes into his bed-she had been his "lady" and proceeded to make it look like he had been with her. D'lise gets made, doesn't ask for an explaination and leaves. Just dumb really really dumb. Jackass the lot of them. But there is a very good adventure to it read it. HEHEHE

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Answering The Central Question: How Science Reveals the Keys to Success in Life, Love, and Leadership, by Peter D Demarest, Harvey J Schoo

Life is about adding value. Success in life requires making good value judgments by knowing which choices and actions will create the greatest possible net value. This book is about learning how to consistently and accurately answer "The Central Question" of life, love, and leadership--

"What choice can I make and action can I take,
in this moment, to create the greatest net value?"

The better you can answer this question, the more value you can create and the greater success and happiness you can have. Chances are, there is nothing wrong with you. You are not broken or in need of repair. Your "weaknesses" do not need fixing. Everything you need to generate greater success and happiness is already right between your ears. All you need are the keys to unlock and liberate the natural strengths and wisdom you already have.

Peter and Harvey present a fresh and powerful new science-based paradigm for personal, leadership, and organizational development. Taking you on a journey that ranges from profound to practical and from educational to enlightening, this book sheds new light on the ancient quest to unleash greater human potential. Whether you are an individual looking to improve your own success in life or a leader seeking to take your entire organization to new levels of performance, Answering The Central Question may well hold the keys to your future.
Includes a free "VQ Profile Assessment"

  • Sales Rank: #1377808 in Books
  • Brand: Brand: Heartlead Publishing, LLC
  • Published on: 2010-12-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .56" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 248 pages
Features
  • ISBN13: 9780982710210
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Inside Flap
"Every once in a while, a book comes along that fundamentally shifts our perspective of what life, love and leadership are all about - it's ALL about creating value! Based on the ground-breaking science of applied neuro-axiology, this book reveals the how-to principles for integrating your heart, mind, and brain to unleash your strengths and create a truly extraordinary life."
~ Stephen R. Covey, author, The 7 Habits of Highly Effective People and The Leader in Me


"Answering The Central Question is spot on and right to the point. For anyone who wants to maximize value in their personal life, their organization, or the quality of life on this planet, this is the book to read, study and apply. It says it all! Once a person employs these tools, so generously shared with the reader, their improvement will be obvious and noteworthy. Readers who study, apply and live these principles, will find greater joy in life and increase their self-respect. They will feel glad to be alive, living with purpose, and proud to be part of the answer, not the problem."
~ Marvin Katz, Ph.D., author, Ethics as Science, Former Director, World Future Society - Midwest Region


"Peter and Harvey break down the immensely complicated subject of personal values into smart language to help anyone become a better, more accomplished person! Answering The Central Question provides the bedrock backbone for clarity in setting a new roadmap for personal and professional success."
~ Tom Schulte, Exec. Dir., Linked 2 Leadership, CEO, Recalibrate Professional Development


"This book is truly groundbreaking! It reveals the connection between mind and brain, science and spirit in a compelling, practical way. In the field of personal, leadership and organizational development this book reveals a rare and wonderful new paradigm for unleashing human potential, especially your own."
~ Lisa Kramer, MSW, PCC, Author, Loving With Intention: A Guide for Relationship Coaching, Faculty Member, Executive Coaching Program, University of Texas, President, Living with Intention, LLC


"This book has the power to actually change the way you operate in the world. I have read at least 300 books in the self-help, success genre. What's amazing about this book is that it combines real science in simple to understand language with powerful insights and tools to help you to create sustainable success in your life. What's more, it elicits a deep level of inspired self-motivation within the reader, which will move you into action. I highly recommend this read."
~ Ken D. Foster, CEO - Premier Coaching, Bestselling Author, Ask and You Will Succeed


"These pages contain the wisdom of the ages and the opportunity of a lifetime. Through 'The Central Question,' Peter and Harvey hand us a compass to navigate beyond the pain and suffering of the human condition; opening our hearts to embrace humanity. As a chiropractor I see the science, art, and philosophy of the book being put to use every day with unlimited benefits showing up like miracles in my life and my practice."
~ Sandy Johnson, Chiropractor


"This book is about the truth that is in every man and woman. 'The Central Question' brings true freedom; one no longer has need to chase after every wind of self-discovery and success."
~ David Njau


"Answering The Central Question breathes new life into the age-old quandary of how to tap into our limitless human potential. The authors' fresh thinking, sound ideas, and scientific basis can add immense value to everything we do. This book offers a special set of keys to unlock the potential in all of us."
~ Jeff Levy, Director, Center for Strategic Leadership, Dale Carnegie Training of Long Island


"This book explains the cutting-edge science of applied neuro-axiology in practical terms and provides readers with powerful tools that change lives. Centering questions are so simple, yet so amazingly powerful in helping people to think through their decision making process and be assured that they make good choices - every time. Axiogenics has great promise for increasing human potential. It's an exciting new world!"
~ Julie Donley (Fuimano), Personal Leadership Coach,
Author, The Journey Called YOU - A Roadmap to Self-Discovery and Acceptance


"In The Fifth Discipline, Peter Senge's message was: 'we are prisoners of our own thinking.' Answering The Central Question teaches us how to liberate ourselves from the thinking that holds us back! This work has been instrumental in my becoming top ranking among my peers."
~ Hugh J. Campbell, CPA

From the Back Cover
Life is about adding value. Success in life requires making good value judgments by knowing which choices and actions will create the greatest possible net value. This book is about learning how to consistently and accurately answer "The Central Question" of life, love, and leadership--

"What choice can I make and action can I take,
in this moment, to create the greatest net value?"

The better you can answer this question, the more value you can create and the greater success and happiness you can have. Chances are, there is nothing wrong with you. You are not broken or in need of repair. Your "weaknesses" do not need fixing. Everything you need to generate greater success and happiness is already right between your ears. All you need are the keys to unlock and liberate the natural strengths and wisdom you already have.

Peter and Harvey present a fresh and powerful new science-based paradigm for personal, leadership, and organizational development. Taking you on a journey that ranges from profound to practical and from educational to enlightening, this book sheds new light on the ancient quest to unleash greater human potential. Whether you are an individual looking to improve your own success in life or a leader seeking to take your entire organization to new levels of performance, Answering The Central Question may well hold the keys to your future.
Includes a free "VQ Profile Assessment"

About the Author
About Peter D. Demarest
Ever since his early teens Peter has been a street-student of the successful mind. After a stint in the U.S. Navy, most of his "first-life" career was spent in the IT industry. He held a variety of positions from geek to guru in the both the corporate and the entrepreneurial worlds.

In the early 2000s, he left the corporate world to pursue his passion for transformational coaching and education. Driven by a thirst for understanding motivation and thinking, he dove deeply into the fields of neuroscience and axiology.

Today, as the world's leading pioneer in the integration of axiology and neuroscience, through Axiogenics, LLC, he in on a mission to bring this work to other visionary leaders through speaking, consulting, training, coaching and writing.

About Harvey J. Schoof
Since age 19, when he taught his first class of fifty third-graders, Harvey has been involved in the work of educating, counseling, training and coaching. He has worked as a rehabilitation counselor, manager, and HR professional as well as an instructor of management and organizational communication at seven different colleges and universities.

He is a founding member of the daVinci Charter School Academy, where he served as the board president for 12 years, as well as a founding board member of the Michigan Association of Charter School Boards.

Over the past 30 years, Harvey has become an acclaimed expert in the science of axiology, training coaches and other practitioners from across the United States, Canada, the UK and the Netherlands. Throughout his consulting and coaching career, Harvey has worked with hundreds of companies and thousands of managers, sharing his insights and experiences to help them become more successful their personal and professional lives.

Harvey is a founding partner of Axiogenics, LLC. He lives in Michigan with his wife Jan. They have three wonderful children and six awesome grandchildren.

Most helpful customer reviews

5 of 7 people found the following review helpful.
Superb book!
By Dr.Shayne Tracy
This book is must read for all those interested in human behavior and change.Coaches will love it!
The appeciation of how we value and its link to brain function are timely as we work to understand how to become more effective human beings.
The VQ profile is an excellent investment for receiving important feedback on our own valuing hierarchy,how it affects our behavior and how we can capitalize on our strengths.

2 of 2 people found the following review helpful.
Needs editing to make it good...
By greggieboy
The principles it describes make good sense.
The writing style is slow and tedious, to the point of detracting from the message - it would be much better if at least a third was edited out.

0 of 0 people found the following review helpful.
Explaining the complex in a simple language
By Amazon Customer
I especially liked the examples, which support the theoretical parts. Sometimes, the repetition of a few ideas repeat, but that is OK if one likes to read different chapters out of sequence. Overall the book is really valuable for personal and professional life, especially that it does not give fixed and perspective limiting formulas, instead it enriches opportunities for broader and more perspectives, new horizons.

See all 6 customer reviews...

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Selasa, 09 Desember 2014

[B138.Ebook] Download Third Person: Authoring and Exploring Vast Narratives (MIT Press)From The MIT Press

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Third Person: Authoring and Exploring Vast Narratives (MIT Press)From The MIT Press

The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives--featuring an ongoing and intricately developed storyline, many characters, and multiple settings--did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors--media and television scholars, novelists, comic creators, game designers, and others--investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.

  • Sales Rank: #904349 in Books
  • Published on: 2009-03-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .81" w x 8.00" l, 2.39 pounds
  • Binding: Hardcover
  • 496 pages

About the Author

Pat Harrigan is a freelance writer and author of the novel Lost Clusters. Noah Wardrip-Fruin is Assistant Professor in the Computer Science Department at the University of California, Santa Cruz, and author of Expressive Processing: Digital Fictions, Computer Games, and Software Studies, forthcoming from the MIT Press. Harrigan and Wardrip-Fruin are also the coeditors of First Person: New Media as Story, Performance, and Game (2004) and Second Person: Role-Playing and Story in Games and Playable Media (2007), both published by the MIT Press.

Most helpful customer reviews

2 of 11 people found the following review helpful.
One Star
By Casey Mrsny
really boring book

0 of 29 people found the following review helpful.
Quick and High Quality
By rhichi
Amazing service. I'm local to the store, but I was still pleasantly surprised in ordering this. It said it would ship in 4-14 days, and it arrived within 48 hours! The book is in perfect condition and came with a "Thank You!" note. The best part is that this is part of an ongoing surprise birthday gift for my fiance, so the note and quick arrival (he just started reading, and has fallen in love with, the prequel) is making a fun mystery game!

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Sabtu, 06 Desember 2014

[T984.Ebook] Ebook Free The Picture of Dorian Gray (Collins Classics), by Oscar Wilde

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The Picture of Dorian Gray (Collins Classics), by Oscar Wilde

HarperCollins is proud to present a range of best-loved, essential classics.

'How sad it is! I shall grow old, and horrid, and dreadful. But this picture will remain always young… If it was only the other way!'

Wilde's first and only published novel recounts the story of handsome Dorian Gray who upon having his portrait painted desires that it will age and grow ugly while he may remain eternally beautiful. The painting, which reflects each of Gray's sins and transgressions in its hideousness, haunts him until it finally becomes unbearable. In this dark tale of duplicity and mortality, Wilde creates a world where art and reality collide.

  • Sales Rank: #1450642 in eBooks
  • Published on: 2010-05-17
  • Released on: 2010-06-03
  • Format: Kindle eBook

Amazon.com Review
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."

As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."

From Publishers Weekly
Starred Review. First published in 1890 in Lippincott's Monthly Magazine and the following year in novel form, The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself—exploring etymology and extensive editorial alterations (both accidental and deliberate)—and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the US and UK at the time. Intriguing annotations allude to Wilde's influences and enterprising range of reference, incorporating art, poetry, literature, Greek mythology, philosophy, and fashion (certain to inspire further reading; an appendix is provided). Comparisons are drawn between Dorian Gray and Wilde's other literary output, as well as to the work of Walter Pater. Numerous illustrations subtly compliment Frankelÿs inferences. A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting. (Mar.)

From School Library Journal
Grade 10 Up-"The Whole Story" format provides illustrations and annotations to the classic text. Ross's lively and sophisticated cartoons add interest, and historical information helps readers place the novel in proper context and gives insight into its characters. The problem with this attractive, glossy layout, however, is that the text and the quotes pulled from it are not always on the same page. Further, some illustrations and notations visually cut into the narrative and may distract readers. For example, a drawing appears on the first page along with the passage, "In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty," but that quote does not appear until the second page of the story. Useful as a supplement to the original novel, but not a replacement for it.
Karen Hoth, Marathon Middle/High School, FL
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

328 of 355 people found the following review helpful.
Forever young
By Guillermo Maynez
This sophisticated but crude novel is the story of man's eternal desire for perennial youth, of our vanity and frivolity, of the dangers of messing with the laws of life. Just like "Faust" and "The immortal" by Borges.
Dorian Gray is beautiful and irresistible. He is a socialité with a high ego and superficial thinking. When his friend Basil Hallward paints his portrait, Gray expresses his wish that he could stay forever as young and charming as the portrait. The wish comes true.
Allured by his depraved friend Henry Wotton, perhaps the best character of the book, Gray jumps into a life of utter pervertion and sin. But, every time he sins, the portrait gets older, while Gray stays young and healthy. His life turns into a maelstrom of sex, lies, murder and crime. Some day he will want to cancel the deal and be normal again. But Fate has other plans.
Wilde, a man of the world who vaguely resembles Gray, wrote this masterpiece with a great but dark sense of humor, saying every thing he has to say. It is an ironic view of vanity, of superflous desires. Gray is a man destroyed by his very beauty, to whom an unknown magical power gave the chance to contemplate in his own portrait all the vices that his looks and the world put in his hands. Love becomes carnal lust; passion becomes crime. The characters and the scenes are perfect. Wilde's wit and sarcasm come in full splendor to tell us that the world is dangerous for the soul, when its rules are not followed. But, and it's a big but, it is not a moralizing story. Wilde was not the man to do that. It is a fierce and unrepressed exposition of all the ugly side of us humans, when unchecked by nature. To be rich, beautiful and eternally young is a sure way to hell. And the writing makes it a classical novel. Come go with Wotton and Wilde to the theater, and then to an orgy. You'll wish you age peacefully.

136 of 148 people found the following review helpful.
A Thrilling Read
By Ellen
I first was introduced to Dorian Gray through a book club, and I thought 'Oh no, Oscar Wilde, here I go, another hard to read boring society book". I was wrong. Within the first two chapters of Dorian Gray I was intrigued and fascinated. This book deals with several issues that are as important now as they are today: the way our culture worships beauty and youth, an admiration that boarders on homosexual love, virtues, the differences between men and women, and what art is and what makes it truly art. Dorian Gray is a beautiful young man, who sees a portrait of himself and says "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young...If only it were the other way! If it were I who was to be always young, and the portrait to grow old...I would give my soul for that!" The book takes off from there, leading you from a small theater to great parties. While younger readers may find some of the wording as tough as an old gym shoe, anyone older than 13 with an interest in mystery, romance, and how society runs, will find this a pleasurable and haunting read.

119 of 133 people found the following review helpful.
Be careful what you wish for
By Daniel Jolley
The Picture of Dorian Gray is a mesmerizing read dominated by two amazing personalities. Dorian Gray is certainly interesting, but I was much more impressed by his friend and mentor Lord Henry Wotton. Dorian is a perfectly nice, well-meaning young man when we first meet him in the studio of the painter Basil Hallward. Hallward in fact is so drawn to the youth that he draws his greatest inspiration from painting him and just being with him. It is the influence of Hallward's friend Lord Henry which leads to Gray's downfall. There are few characters in literature as decadent, witty, and somehow enchanting as Lord Henry. He is never at a loss for words, fatalistic observations of life and people, sarcastic philosophical musings, and brilliantly devious ideas. Among his world of social decadents and artistic do-nothings, his charm remains redoubtable and highly sought-after. Gray immediately falls under his spell, soon devoting himself to living life to its fullest and enjoying his youth and beauty to the utmost. He solemnly wishes that he could remain young and beautiful forever, that Hallward's exquisite picture of him should bear the marks of age and debauchery rather than himself. To his surprise and ultimate horror, he finds his wish fulfilled. Small lines and creases first appear in the portrait, but after he cruelly breaks the heart of an unfortunate young actress who then takes her own life, the first real signs of horror and blood manifest themselves on his portrait. His love for the ill-fated Sibyl Vane is a sordid, heartbreaking tale, and it marks the culmination of his descent into debauchery. He frequents opium dens and houses of ill repute, justifying all of his worst actions to himself, while the influence of Lord Henry continues to work its black magic on his soul. He hides his increasingly grotesque portrait away in an upstairs room, sometimes going up to stare at it and take pleasure in the fact that it rather than he bears the stains of his iniquities. In time, his obsession with his secret grows, and he is constantly afraid that it will be discovered by someone. For eighteen years he lives in this manner, moving among the members of his society as a revered figure who magically retains his youth, but eventually he begins to see himself as he really is and to curse the portrait, blaming its magic for his miserable life of ill-begotten pleasures and loss of moral character. The final pages are well-written, and the climax is eminently satisfying.
Exhibiting the undeniable influence of the French Decadence movement of the late 19th century, this wonderful novel serves as a morality play of sorts. One can understand why its unique nature upset a British society emerging from the social constraints of Victorianism, but this reader is hard pressed to see why this novel proved so damaging to Wilde's eventual imprisonment and punishment. Dorian Gray is no hero, nor does his ultimate internal struggles and yearnings for rebirth inspire one to engage in the sort of life he himself eventually came to regret. The only "dangerous" character in this novel is Lord Henry; his delight in working his evil influence on others as a type of moral experiment and the silver-tongued charm he exploits to aid him in such misbegotten quests have the potential to do harm to a vulnerable mind such as that of Dorian Gray. Lord Henry's evil genius makes him much more interesting than his disciple Dorian Gray. By today's standards, this book is not shocking, and indeed it is much more dangerous to censor work such as this than it is to read it. This book in eminently quotable, and it still manages to cast a magical spell over readers of this day and age. Quite simply, The Picture of Dorian Gray deserves a place on the shelf of the world's greatest literature.

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