[W929.Ebook] Free Ebook Smoke & Mirrors, by Mike Costa, Jon Armstrong

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• ENTER A WORLD OF MAGIC! Stage magician Terry Ward is thrust into a world where magic — not technology — rules, and forced to use trickery and illusions to survive! But will that prove to be enough when the dangers of the world start compounding — how can a sleight of hand artist compete with users of practical spells?

• Sales Rank: #1740835 in Books
• Published on: 2012-10-23
• Original language: English
• Number of items: 1
• Dimensions: 10.20" h x .30" w x 6.50" l, .85 pounds
• Binding: Paperback
• 128 pages

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2 of 2 people found the following review helpful.
Very Interesting, Though I'm A Bit Biased
By Conjurer
Being a magician myself this looked interesting to me. An entertaining read and I hope Mr. Costa can find a way to continue it. A fairly well-crafted story, though it could have been a little longer with the characters better developed. Also, would have liked to know a bit about the "event" that started the whole thing, but that is being nit-picky on my part. It's not really essential to the main storyline. Good artwork and an interesting story.

0 of 0 people found the following review helpful.
Interesting Alternate Earth
By Art Belliveau
I was going through the graphic novel section of the library when I came across this book. I liked this story. It had many unexpected twists and turns. The alternate world developed by Costa is logical and consistent (with the exception of both speaking English). He layered the story well, dropping little surprises here and there that kept me interested throughout.

Imagine a world where magic was real and really worked on established and understood principles. A world similar to ours, but not identical. This is the world that stage magician Terry Ward finds himself in. To survive he becomes a street performer, is tricks and illusions--never seen on this world before--are as amazing to people there as to people here.

He has created a solitary existence for himself, always afraid that he will be discovered for being the only nonmagical person on the planet. Ethan is a young man who is not satisfied with the commonplace magic of his world. When he sees Ward perform, he is mystified, and batters his way past Ward's emotional defenses to become his pupil.

Before the story is finished, Ward finds himself up against one of the most accomplished magicians of this world he's found himself in.

It's a good one-shot graphic novel. Worth giving it a read.

0 of 0 people found the following review helpful.
Never read anything else quite like it
By Skye Kilaen
Ethan’s growing up in a world powered by magic. It makes lights, cars, washing machines, and computers work. He’s pretty gifted with it himself, but what he’s really interested in is the guy in Tobin Square who’s doing some *other* kind of magic that Ethan doesn’t understand. Yet.

This is an interesting book combining “real” magic and stage magic, as well as friendship and fighting evil. I wish this would have been an ongoing series, because I really wanted to know what happened next for these characters! But it does have an ending, so I’m trying to count my blessings.

(Full credits: by Mike Costa and Jon Armstrong, illustrated by Ryan Browne, with color assistance by Aaron Daly and letters by Robbie Robbins.)

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[G112.Ebook] Ebook Martha: The Life and Work of Martha Graham- A Biography, by Agnes De Mille

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In a critically acclaimed biography now in paperback, renowned dancer and choreographer Agnes De Mille penetrates the late Martha Graham's mask of privacy to capture the woman who, in her 96-year lifetime, virtually invented modern dance in America. 32 pages of photographs.

• Sales Rank: #740618 in Books
• Published on: 1991-08-20
• Released on: 1991-08-20
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 509 pages

From Publishers Weekly
This biography of the modern dancer and choreographer is a substantial, carefully considered, highly personal portrait never compromised by the author's clear adulation for her subject. Photos.
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
Eye-opening, riveting, enlightening, uplifting--Martha Graham's life and times seen through the discerning, appreciative eye of Agnes de Mille. This is an earthier, more human Graham than in her own Blood Memory (p. 839); it is also a more detailed look at the era. Graham's vision was so focused that she was unaware of, or thought unimportant, the surroundings, players, intrigues; she was also extremely private. De Mille can and does give us the fuller picture. De Mille met Graham in the early Denishawn days in California; their lives and careers intertwined ever after with varying degrees of intensity. They were friends, worked with many of the same people, and kept a critical eye on each other's work. Graham's strength and will were apparent certainly by her teens; her genius was apparent early, too. De Mille follows the development of that gift, and along the way explores in depth Graham's contemporaries, technique, and the dance world generally. This is meaty, detailed stuff, and all in de Mille's wonderful voice. On Doris Humphrey: ``...she analyzed everything. It was not enough that a fall or lean could be lovely. She had to explain why...Her own dancing seemed to have little personality, while Martha's was electrifying.'' On the relationship between a choreographer's physique and his work, and Graham's in particular: she claimed that she always choregraphed falls on the left because the heart is on the left. ``Maybe so,'' says de Mille, ``but to this dancer it seems that it really was because her left leg and thigh were stronger and more stretched out.'' De Mille drops a number of bombshells here, particularly in her discussions of Graham's emotional life. She had stormy, sometimes physically abusive (by both parties) relationships in her life. De Mille describes the two most intense crises: Graham's failed marriage to Erick Hawkins; and her forced retirement as a dancer, in 1968, at age 72. This latter precipitated a physical collapse that de Mille names convincingly as being alcoholic. ``Martha got well, in her own way, in her own time, and without alcohol. Martha rose from the dead, and verily, she was changed now.'' A loving, respectful, but always cleareyed account of the human Graham. A must for fans of Graham's, de Mille's, dance- -indeed, anyone wanting a clear picture of a creative era that is fast drawing to a close. (Thirty-two pp. of b&w photos--not seen.) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

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0 of 0 people found the following review helpful.
Five Stars
By Anonymous
Yes!

6 of 7 people found the following review helpful.
Brilliant overview of a dance genius
By Dr. Lee D. Carlson
It is unfortunate that this book is out of print, for it gives a overview of one of the most brilliant choreographers of the twentieth century. The mind and values of Martha Graham are exposed in detail by the author, and it serves its purpose in giving the curious reader insight into the life and dance technique of a woman who single-handedly developed one of the most original forms of movement to this date. Anyone who is overcome by watching the dances of Graham will definitely appreciate this book, written by a person who had known Graham for fifty-eight years. Included in the book are an excellent collection of black-and-white photographs, both of Graham and some of the people she worked closely with. Indeed, Graham was a beautiful woman, and her personality, as well as her physical beauty, are exemplified nicely in these photographs.
The knowledge one can gain from the reading of this book makes it well worth the time, for by reading it one can understand how Graham developed her technique, interestingly without any government aid; there was no National Endowment of the Arts to assist in her endeavors. Graham viewed dance as a celebration, and eschewed the attitude of those who danced for monetary gain. One reads of Graham's relationship with Louis Horst, and of the popularity of the writings of the philosopher Frederich Nietzsche among Horst, Graham, Doris Humphrey, and Isadora Duncan.
Graham's father told her that "bodies never lie", and this statment apparently had a major influence on her resulting "philosophy of dance", as well as the influence of Ruth St. Denis and Erick Hawkins. The author discusses the differences between the dance technique of Graham and Humphrey, the latter being characterized as mathematical by the author, the former emotional. But I find the Graham technique straightforward to view from a mathematical standpoint, if one is so inclined.
The technical aspects of the Graham technique are brought out nicely in the book, one example being the marvelous description of the "spiral fall" and its recovery. One also learns of the use of "plastiques", i.e, the posing and moving in scarves and costumes by the dancers. Also, it is interesting to learn of the omission of mirrors in the early Graham studios; lest the student, in the author's words, "drown in his own image". The class routine for the Graham dancers, particularly the floor exerices, along with the spasm of the the diaphragm, are the most well-known manifestation of the Graham technique, and are discussed nicely in this book.
It is fortunate that Graham was able to find such dedicated students for her classes. Forcing to live a frugal existence, these students found her dances a "religion that they served", according to the author. Indeed, if one has ever viewed modern dance performances of the Graham technique, one can see this attitude in the dancers, as though they were priveleged, and moving to a unique traceform in space never before executed.
The Graham technique is brilliant, and it forces one to rethink preconceived notions of what movement must be, and instead speculate on what it could be. Graham in her works made it readily apparent that gravity is real, but that it need not be a total master. Even on the floor the Graham dancers are in control, at least momentarily, interpolating brilliantly between order and bodily dissonance. Martha Graham, as protrayed by the author, was an innovator and a determined individualist, and has given us a unique collection of traceforms, both in our memories and in books and videos, that will embolden us and refresh us always.....

8 of 9 people found the following review helpful.
The History of Modern
By Heather C. Liston
Agnes de Mille, a distinguished and popular choreographer in her own right, and a sometimes intimate friend of Martha Graham, has written an outstanding biography of this iconic woman. The story of Martha Graham is inevitably the story of Modern Dance-- which many would say she invented--and the history of American artists--of which she was the queen.
De Mille's book is both extremely informative and thoroughly enjoyable. She gives you the history you need in order to put Graham's revolutionary dance technique in context, and then she offers personal insights and observations on the life, love affairs, personality, triumphs, and tragedies of the inimitable Martha.
A portrait of a truly incredible, inspiring, tiny giant of a woman by another who is at least her equal in intellect and probably in artistry as well.
For anyone interested in dance, this book is an absolute must.

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• Sales Rank: #5935358 in Books
• Published on: 1959
• Binding: Paperback
• 15 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
The Best Accident I've Had!
By Priscilla Stilwell
I found this masterpiece by accident while browsing a music store. I opened it and was caught up by the intricate weaving of voice and guitar. Having recently fallen in love with Britten's work, I was intrigued and paid the 25.00 or so that it cost. I am currently working on four of the six pieces for my next solo recital. The pieces are challenging and artsy, but have a feeling about them that everyone can relate to.

The songs are derived from Chinese folk songs that were brought into the western ears by translating the words to English and changing the instrument to classical guitar. If you can't sing them yourself, then you must at least listen (you're welcome to attend my next recital!). Vocalists should venture to take on this great challenge.

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Miss Silver visits the country to keep an eye on a friend who may be in perilIt is time for Judy to get out of London. Her sister and brother-in-law have just perished in an air raid, leaving her in charge of their four-year-old daughter, and Judy wants no more to do with death. She arranges for work in a piece of the countryside untouched by the war: a charming manor called Pilgrim’s Rest. But it may be that she has more to fear than the Blitz. When she tells Frank Abbott of her plans, he warns her that strange things have been happening at Pilgrim’s Rest. The family patriarch is recently dead of mysterious circumstances, and his heir has just suffered a series of near-fatal accidents. He cannot sway Judy, for she needs the work. But he does convince the governess-turned-detective Maud Silver to follow Judy to the village, to be on hand in case country living turns dangerous.

• Sales Rank: #337347 in eBooks
• Published on: 2011-06-28
• Released on: 2011-06-28
• Format: Kindle eBook

Review

“Some of the best examples of the British country-house murder mystery.” —Alfred Hitchcock’s Mystery Magazine  “Miss Wentworth’s plot is ingenious, her characterization acute, her solution satisfying.” —The Scotsman  “You can't go wrong with Miss Maud Silver.” —The Observer

About the Author

Patricia Wentworth (1878–1961) was one of the masters of classic English mystery writing. Born in India as Dora Amy Elles, she began writing after the death of her first husband, publishing her first novel in 1910. In the 1920s, she introduced the character who would make her famous: Miss Maud Silver, the former governess whose stout figure, fondness for Tennyson, and passion for knitting served to disguise a keen intellect. Along with Agatha Christie’s Miss Marple, Miss Silver is the definitive embodiment of the English style of cozy mysteries.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Genteel Murders
By drkhimxz
It is always a pleasure to return to Miss Silver and her cool appreciation of the varieties of evil which lie beneath the surface in even the most genteel of characters. In this book we are led to the scene of the crimes in Post-World War II England by a young widow with a small child who has just accepted a job as a menial at a typical estate in the English countryside. By chance, she has just been rediscovered by a Scotland Yard detective whose heart still beats more rapidly at the sight and presence of her. Through yet another chance, arranged by the author, the Lord of the Manor has come, worried about what he believes may be a murder plot against him, to his old friend, that same detective. To round out the chance events the author has contrived, said police officer is a friend of Miss Silver, private investigator, who was a former teacher of his before embarking on her late life career. He now recommends that his old friend approach Miss Silver for advice and help with regard to his problem. So, omitting some details, we end up with Miss Silver in residence at the same country home in which the young woman is working, and, when murder takes place, who is the officer in charge of the investigation, but the Inspector, also an old pupil, who has been helped by Miss Silver in the past, and his assistant is the younger detective we have already met. Yes, put baldly like this, it does seem crudely contrived, but in the hands of a skilled, experienced writer, it comes together most naturally.
By the time she began working on this book, Ms Wentworth had already done some twenty odd other ones and was quite skilled in making the characters live and the coincidences seem most natural. She fills this typical English (Literary) Manor, with an odd assortment of people who, within the modest space of the novel, she gives individualized personalities and complex relationships.
While this is not the best of the extended series of Miss Silver mysteries, it is good reading because it is good writing. One comes to care what happens to the key people involved and to view with dismay the behavior of some of them who may, or may not, be guilty of crimes. If one is favorable impressed by the book, it is reassuring to know that there are many more available to read, and that with each one read, as with any good series author's work, as the context becomes more familiar, the reading becomes more pleasurable.
I can recommend the book to those who fancy the classic style mystery and forewarn those more attuned to overt brutality and gritty streets, that one will find none of that in Ms. Silver's domain.

3 of 3 people found the following review helpful.
Also known as Pilgrims Rest
By overtakenbyanap
Be careful you arent buying the same book twice. I almost did. This is also sold here in the kindle market as Pilgrims Rest.

2 of 2 people found the following review helpful.
Excellent as always from Patricia Wentworth
By vivienne edwards
I bought this book years ago with different title (release title varies from US to UK). I was not disappointed. This is a good story with the same attention to detail that you come to expect from this author. Good character description that brings them to life. Wonderful and accurate description of life in an English village in the 40's and 50's.

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In Air’s Appearance, Jayne Elizabeth Lewis enlists her readers in pursuit of the elusive concept of atmosphere in literary works. She shows how diverse conceptions of air in the eighteenth century converged in British fiction, producing the modern literary sense of atmosphere and moving novelists to explore the threshold between material and immaterial worlds. Air’s Appearance links the emergence of literary atmosphere to changing ideas about air and the earth’s atmosphere in natural philosophy, as well as to the era’s theories of the supernatural and fascination with social manners—or, as they are now known, “airs.” Lewis thus offers a striking new interpretation of several standard features of the Enlightenment—the scientific revolution, the decline of magic, character-based sociability, and the rise of the novel—that considers them in terms of the romance of air that permeates and connects them. As it explores key episodes in the history of natural philosophy and in major literary works like Paradise Lost, “The Rape of the Lock,” Robinson Crusoe, and The Mysteries of Udolpho, this book promises to change the atmosphere of eighteenth-century studies and the history of the novel.

• Sales Rank: #3257084 in Books
• Published on: 2012-11-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.23 pounds
• Binding: Hardcover
• 304 pages

Review
“Jayne Elizabeth Lewis’s Air’s Appearance is unique in its provocative brilliance and startling originality. Lewis extracts from a comprehensive series of works and authors the revealing interrelationships of atmosphere as a descriptive literary term and as an object of scientific inquiry in the seventeenth and eighteenth centuries. In subtlety and suggestiveness, in critical inventiveness, historical range, and intellectual depth, her book is a revelation.” (John Richetti, University of Pennsylvania)

“Air’s Appearance is witty as well as elegant. The subject is original, the research breathtakingly wide-ranging, and the language lyrically clear. Its suggestiveness alone opens up so many new interpretive possibilities, so many new ways of historical thinking, so many new perceptions of air in text and air around. It makes you think and see differently.” (Cynthia Wall, University of Virginia)

“Air’s Appearance will electrify eighteenth-century studies. In this wide-ranging, original, and iridescently stylish study, Jayne Elizabeth Lewis demonstrates how from the Restoration until the 1790s efforts, variously, to define or to soak up atmosphere linked the spheres of natural philosophy and modern fiction. Over the course of that demonstration she gives us a startling new account of how readers learned to believe in novel fictions whose distinguishing feature was their air of truth.” (Deidre Lynch, University of Toronto)

 “Comprehensive and fascinating.” (Choice)

“If Lewis’s analogies between scientific and literary atmospheres sometimes hang as much as anything on the flair and wit of her writing, there are also enthralling new readings of Paradise Lost and The Rape of the Lock as well as major novels. All are illuminated in new ways by the startling variety of contemporaneous speculations about air.” (Times Literary Supplement)

About the Author
Jayne Elizabeth Lewis is professor of English at the University of California, Irvine, and the author of, most recently, Mary Queen of Scots: Romance and Nation.

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• Sales Rank: #1937253 in Books
• Brand: Brand: Zed Books
• Published on: 2009-09-10
• Released on: 2009-11-10
• Original language: English
• Number of items: 1
• Dimensions: 7.81" h x .40" w x 5.06" l, .40 pounds
• Binding: Paperback
• 160 pages

Features

• Used Book in Good Condition

Review
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About the Author

James Smith is a Lecturer in African Studies at the University of Edinburgh, UK.

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• Sales Rank: #3601239 in Books
• Published on: 1975
• Format: Import
• Binding: Unknown Binding
• 86 pages

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0 of 0 people found the following review helpful.
Best Beatles Arrangement Ever
By Alfred E. Heath
Wonderfully solid chords. Very mellow. A treat to play. TAB if you need it. "Yesterday", "Michelle", "Norwegian Wood", "Ticket to ride" "Can't buy me love" and 15 others you will know. Solo the Beatles as they should be soloed. A very rare book.

"Old Reader"

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• Published on: 2008-08-15
• Original language: English
• Binding: Paperback

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• Sales Rank: #4160868 in Books
• Published on: 1984-08
• Binding: Paperback

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