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The complete, clear guide to creating compelling plots for film
-Integrate plot, characterization, and exposition to make stories real
- Examples from new and classic movies examine great plots in action
Plot must be as much about the emotions of the characters as it is about the events of the story.
That’s the message of The Art of Plotting, which teaches screenwriters how to integrate plot, characterization, and exposition to make stories compelling. Using examples from recent and classic movies, author Linda J. Cowgill demonstrates how the plot springs naturally from the characters--and how that technique makes audiences connect with the story on a more intimate level. Examples include American Beauty, Shakespeare in Love, Erin Brockovich, Spider-Man, Chinatown, Jaws, and more. Easy exercises reveal common plot problems and help writers overcome them. Clear and easy to understand and to use, The Art of Plotting shows exactly how great plotting evolves from characters caught in life-changing conflicts--and how to create great plots driven by that idea.
- Sales Rank: #943220 in eBooks
- Published on: 2010-12-08
- Released on: 2010-12-08
- Format: Kindle eBook
About the Author
Linda J. Cowgill teaches at the Los Angeles Film School and Loyola Marymount University. Her books Secrets of Screenplay Structure and Writing Short Films are used in writing programs across the country. She lives in Los Angeles.
Most helpful customer reviews
25 of 25 people found the following review helpful.
What makes a good plot - here's the book with the answers
By Jeffrey L. Armbruster
Ok, I've been writing scripts for decades now. What's the common complaint generations of script readers and producers make: Anybody can come up with an exciting idea, or a powerful hook. Anybody. And there are tons of ideas out there - just open a newspaper! The problem is execution - keeping a 90 to 120 page script exciting. We can all write 10 or 20 pages of exciting scenes - but most of us run out of gas. In one word, plot. The plot goes no where, or gets boring. How do you keep the plot interesting, emotional? Plot is the entire focus of Linda Cowgills's book, and she presents 180 pages of ideas and suggestions on how you can keep your entire plot exciting, eventful and emotional.
Answer this question - what's the difference between conflict and complication? Which one keeps the plot moving?
Table of contents:
1 - The Three Requirements of Drama
2 - Plot: Event and Emotion
3 - The Role of Conflict
4 - The Principles of Action
5 - The Tools of Plotting
6 - The Sequence of Story
7 - The Real Art of Plotting
8 - Common Problems in Plot Construction
9 - Tools for Analysis
Great book. Highly recommended.
0 of 0 people found the following review helpful.
Very good book on the significance of successful plotting in screenplays
By David P. Pierson
Very good book on the significance of successful plotting in screenplays. I liked the book's emphasis on why it is important to show the emotional impact of plot events on characters and why spectators expect film characters to change over the course of a film's narrative. The change might be ambiguous in manner, but must be there for spectators or audiences to have a true emotional experience. As John Dewey would acknowledge, the goal of all art forms, whether a painting, a song, or a movie, is to offer the public an emotional experience.
10 of 10 people found the following review helpful.
Great asset to any writer's library
By Master Cineaster
Great book, gives a lot of detailed information to lay the groundwork, then gets to the nitty-gritty with three terrific chapters at the end -- the real art of plotting, common problems in plot construction, and tools for analysis. These chapters are really specific about how you put your information together in your plot, as well as address specific problems writers encounter. A great asset to any writer's library!
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